For those of you who haven’t dropped by FictionPress in the last couple days, I have (FINALLY) posted chapter 12.
Labriella and Rome reunite in time for Lord Alonza’s party, and there is definitely still chemistry between them. But when Lord Alonza makes it clear he plans to use Labriella to provoke Rome, can Rome trust Labriella’s loyalty enough to play it cool?
Go look up “Showcase” to read about how Rome and Labriella fare on Day 1 of Lord Alonza’s party!
Just so you know, I’m thinking of all of the chapters dedicated to Alonza’s party as falling under the banner of “Showcase.” I’m just dividing them up into parts by length. I’d love to have each chapter/part be a separate day, but I think Day 2 will be a little short for that, and Day 3 might be a bit lengthy.
Thank you so much to my 12 readers who have responded to my end-of-chapter request! Your support has inspired visions of what the next few chapters need to be. I welcome any additional suggestions or constructive opinions/feelings my other readers have yet to voice. 🙂
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My workshop frenzy has slowed, but not ended.
Last month I attended a YRW (Yosemite Romance Writers) seminar presented by Margie Lawson, called “Empowering Characters’ Emotions.” I admit that, based on the title and the bullet-point description, I went into the event expecting a prolonged lecture about how important it is to communicate characters’ emotions through speech, body language, and portrayal of settings. I can honestly say that I am glad that is not what I got. Margie Lawson has created a color-coding system for self-editing your manuscript. And considering she is both an editor and a psychotherapist, you can expect her home-crafted EDITS system to be analytically in-depth. If you’re on the verge of your next major revision, and you want to take your editing to the next level, I highly suggest you look into this. I won’t be ready to employ half of the techniques I’ve learned from her until I complete my next step of revisions, but that doesn’t mean I’m shelving them. This EDITS system is a MUST for self-publishing authors, and a “should have” for authors aiming for traditional publishing. I’ve read too many indie books on my Nook that could have benefited from this.
The members of the RWAOL “Killer Openings” workshop by Alexa Bourne provided some extremely helpful feedback for me on which opening for the BeastKing Chronicles would be most gripping. It would seem now that which opening I start with depends upon whether my series is considered Romance with fantasy elements, or Fantasy with romantic elements. At this point, Book 1 almost solely Romance, with Book 2 leading that way as well. But I have buried the original plot. If I bring that plot back to the forefront in the next revision, as I plan to, then my instructor for this month’s workshop believes that my story will be Fantasy.
This month’s online writing workshop is called “Balancing the Paranormal and the Romance,” taught on Yahoo Groups by Shannon Donnelly through FF&P (Fantasy, Futuristic, & Paranormal Romance Writers—an offshoot of RWA). I realize my novels are High Fantasy, and “Paranormal” usually connotes Urban Fantasy. However, seeing as Rome’s beast nature is very much a paranormal anomaly within the High Fantasy world that I have created, I hope this workshop will inspire me with ways to subtly introduce, mix in, and play off of the supernatural elements in my story.
To give a little perspective to the workshops I’ve been attending (thinking they were separate entities)…RWA is a big non-profit, international organization, and each RWA offshoot is called a “chapter.” I stumbled onto this Chapters network by accident, by following an author’s blog links to a master listing of RWA workshops. You don’t have to be a member to attend the workshops, although membership does afford you discounts. You do, however, have to be a member of the larger organization in order to become a member of a Chapter.
I recently became a RWA member so I could join the Online Chapter…Or so I thought. What I didn’t realize when I signed up was that I wasn’t just paying for Chapter access, discounts, a magazine subscription, and getting my name out. There are all kinds of opportunities and programs built into a RWA membership, even for an Associate Writer (which I became)—not the least of which is a Critique Partner Matching Program. And, as an Associate member, Romance doesn’t have to be my primary genre. Perfect fit. If you don’t mind throwing down 100 bucks, plus a startup fee. I admit, that was a little painful for me. I consoled myself by realizing the price of membership is equivalent to the difference between the annual conference cost for members vs. non-members, if I attend.
Feel free to comment with any questions you may have about workshops, etc. I know what it’s like to try to navigate and figure it all out on your own. I’ll be honest if I don’t know the answer to your question, but then again, I might be able to point you in the right direction.